搜索"Asta" ，找到 部影视作品
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该影片基于Marilyn Bell（Caroline Dhavernas饰演）的真实故事改编。Marilyn Bell当时16岁，是一名游泳健将，她正尝试成为第一个游泳横渡安大略湖的人。但当时美国还有位顶级游泳选手Florence Chadwick，与她一同在这场特殊的游泳马拉松中竞争第一。因为Florence Chadwick身经百战，所以大部分人都认为她会获取最终的胜利。但出乎意料的是，由于Florence Chadwick对途中艰险程度的轻视，导致了她退出了比赛，而Marilyn Bell坚持到了最后，最终成为了横渡安大略湖第一人。
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Зима 1945 года. Война близится к концу. В глухой северной деревушке бригада пленных немцев строит вышку для радиомаяка. Жители деревни — женщины и старики, чьи мужья и сыновья воюют или погибли на фронте — встречают пленных с понятной неприязнью.
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这是一个了不起的电影。 ;强盗女王 ，一个现代化的现实生活中的印度逃犯，德维Phoolan（;花神 ）是一个强大的和令人反感的写照。电影作为新娘的中年男子在哪个点的11岁Phoolan的销shou打开。婚内强迫和虐待如下驱动器，作为一个弃儿，她带走，并最终进入抢劫的生活。 我发现在这部影片中最引人注目的是，它不只是作为刻画了女主角一个;委屈的女人 ，但作为一个女人有深层次的心理问题 - 对我来说，她频频亮相，是彻头彻尾的精神病。肆无忌惮的有几个场景，我可能会说限制级，暴力，Phoolan看到逐渐清盘从愤怒到邪恶。在这些场景中，她击败前夫用枪托。这是 - 我认为它的意思是 - 令人作呕。 ;强盗女王 在印度是很有争议的。它被广泛认为是奥斯卡的材料，但显然并没有使印度电影制作社区内由于政治斗争的列表。这是非常值得观看。但我只推荐它的人具有很强的肚子。这是一个真实的故事（现实生活中的Phoolan德维嫁给了她的种姓以上，并成为第一个贱民在印度议会服务），但它是一个故事，没有一个圆满的结局。
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Croatian erotic anthology of seven short stories directed by Irena Skoric, all revolving around sex and relationships. Five of the stories following the intimacies of straight couples, where the 6th and 7th stories revolve around a lesbian couple and a gay couple.
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Catherine meets Nick by accident and, after a whirlwind romance, the two get married and Catherine moves into Nick's apartment only that's the start of problems when an unseen intruder begins playing strange mind games with Catherine in an apparent attempt to drive her insane. Catherine first suspects Nick is behind it, then suspicion moves to his business partner Badge, then t...
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A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ...
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A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).