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The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. [email protected]
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故事发生在1882年的美国西部平原，在那片广阔的土地上，生活着名为“拓荒者”的人们，他们自由的选择土地，辛勤劳作，放牧牛羊，安居乐业，查理（凯文·科斯特纳 Kevin Costner 饰）、苏（安妮特·贝宁 Annette Bening 饰）、莫斯（亚布拉哈姆·本鲁比 Abraham Benrubi 饰）和斯皮尔曼（罗伯特·杜瓦尔 Robert Duvall 饰）正是其中的成员。可是，随着时间的推移，居民的增多，广袤的平原不再是能够自由驰骋的疆土，只是单纯善良的四人还没有注意到局势的变化。一次意外中，西部小镇的恶霸巴克斯特（金·寇兹 Kim Coates 饰）联手警长恶整了前来购买物资的莫斯并禁止“拓荒者”们再接近小镇，直到这时，查理一行人才意识到，是时候拿起武器为他们的尊严和自由而战了。©豆瓣
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16岁的少女萨拉·贝利（Robin Tunney 饰）外表阳光美丽，却拥有不为人知的痛苦过去。为了寻找生活的希望，她随父亲（Cliff De Young 饰）和继母从旧金山搬到了位于洛杉矶的一座城市，并在当地一所教会学校继续学业。在这里她遇见三个打扮和举止都很怪异的女孩——（费尔鲁扎·鲍克 Fairuza Balk 饰）、邦妮（Neve Campbell 饰）和罗谢丽（Rachel True 饰）。周围的学生没有一个愿意与她们交往，甚至盛传他们就是恐怖的女巫。萨拉无意间展现出的超能力引起南希等人的注意，这四个本质上有着相同气质的女孩很快便走到一起。 他们希望召唤万物之灵马农（Manon），让其进入自己的身体，由此可以使糟糕的生活变得好转起来。只是，世界上绝对没有免费的午餐……
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故事发生在一座南方小镇之中，年轻的女学生玛丽（拉娜·特纳 Lana Turner 饰）的被害震惊了整个小镇，检察官安迪（克劳德·雷恩斯 Claude Rains 饰）接手了此案，并且最终将嫌疑人的目标锁定在了玛丽的男友乔伊、校长巴克斯顿和门卫维恩的身上。安迪一直野心勃勃的想要竞选州长，他将这起案件当做是自己平步青云的垫脚石，然而，这三个嫌疑人，无论最终凶手是哪一个，都不足以令这起案件轰动整个州，于是，安迪决定为案件再找一个嫌疑人，他将目标锁定在了来自北方的青年教师罗伯特（爱德华·诺里斯 Edward Norris 饰）的身上。 罗伯特虽然在这座小镇已经生活了许久，但始终觉得自己和这里的环境格格不入，当他盘算着离开这里，返回北方的同时，他并不知道，不幸的阴云早已经笼罩在了他的头顶。
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该片跨越25年拍摄而成，深入探讨我们集体对于财富和名气的迷恋与追求。
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Jim（詹姆斯·迪恩 James Dean 饰）因为在学校里无法与其他同学共融，迫使他的父母只能多次搬家，这一次他们来到了洛杉矶。在洛杉矶的一所高中里，他仍旧遭到了同学的排斥，但认识了他心爱的女生Judy（娜塔利·伍德 Natalie Wood 饰）；交到了他真正的朋友 Plato（萨尔·米涅奥 Sal Mineo 饰）。在Jim和当地小混混头目、也是Judy的前男友Buzz一系列的纠纷中，两人最终决定以赛车来定胜负。而在比赛中，Buzz不幸坠入悬崖身亡。Buzz的兄弟们试图找Jim报仇，在两方的对抗
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Beloved priest Father Thomasino is murdered in a San Francisco alley, and the police have few clues. But traffic cop Joe Martini becomes obsessed with finding the killer; he suspects Sylvio Malatesta. Ordered off the case, Joe turns in his badge and investigates alone. Soon he is a close friend of the Malatesta family, all delightful people, especially lovely cousin Anna. Uncertain whether Sylvio is guilty or innocent, Joe is now torn between old and new loyalties. Written by Rod Crawford
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约翰．赫斯顿导演的犯罪电影经典之作，他采用具有睿智洞察力的手法来探索一群珠宝大盗的悲剧命运。萨姆．杰夫饰演一名释囚，他召集了四名伙伴一齐抢劫珠宝行，准备在得手后销赃给一名律师换取百万巨款。当他们顺利劫得珠宝撤退时，却被一名看更破坏好事，导致其中一名歹徒在逃走时受伤。另一方面，出资赞助这次抢劫的赌场老板被贪污警察逼供，招出了集团成员的名字，他们乃难逃劫运。全片情节推展紧凑利落，每个角色均具鲜明个性，因而凝聚出强烈的戏剧张力。玛丽莲．梦露首次在银幕上扮演单纯而性感的情妇角色，从此展开了亮丽的星途。