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With Joey Fane back home, all Virginia and Bill Fane want is a calm and respectful atmosphere amongst the house. Only something is still disturbing Joey and that one thing is the Nanny. Whilst Nanny is a loving woman who helps around the house, Joey sees her as someone else someone who believes is responsible for the death of his sister.
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A grieving man discovers that the seemingly quiet town is hiding a very terrifying secret. Now he must find a way to overcome his grief and fight back against the darkness that has consumed the town and its people.
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康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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某天,心理学学生艾比·琼斯(Christine Evangelista 饰)随同学还有教授一同前往帕克精神病院观摩。早在3年前,艾比罹患精神病的父亲便在这所医院自杀。可是为了帮更多患者走出阴影,这个勤奋勇敢的女孩还是踏入了这幢充满恐慌的建筑。在此期间,艾比意外遭到橙色高危精神病患者哈蒙(Dominic Purcell 饰)的袭击,备受惊吓。观摩结束之后,艾比返回寓所,与莱妮(Melissa Ordway 饰)和琳(Carly Chaikin 饰)两名好友进行考前复习。与此同时,哈蒙袭击看守人员后逃跑。警方在调查过程中发现,艾比与哈蒙被捕前杀害的女友十分相像。恶魔出笼,新的杀戮似乎即将展开……本片根据制作人位于路易斯安那州的家乡发生的真实事件改编。©豆瓣