故事聚焦在《复仇者联盟4：终局之战》中，另一时空拿走空间宝石（Space Stone）的洛基，描述他作为一名恶作剧之神和变形者的身份，现身在人类历史中的多个时期，影响着历史事件。

My Name is Simon，Simon Templar The Saint was a long-running ITC mystery spy thriller, airing in Britain on ITV between 1962 and 1969. It centered on the Leslie Charteris literary character, Simon Templar—a Robin Hood-like adventurer with a penchant for disguise. Because of the strong American performance of the initial black-and-white seasons in first-run syndication, NBC picked up the show as a summer replacement on its evening schedule in 1966. Thus, the programme ended its run with both trans-Atlantic prime time scheduling and colour episodes. It also proved popular beyond America and Britain, eventually premiering in over 60 countries. With almost 120 episodes, the programme is exceeded only by The Avengers as the most productive show of its genre produced in Britain. SEASON 1 (1962) B/W # 1- 1 The Talented Husband # 1- 2 The Latin Touch # 1- 3 The Careful Terrorist # 1- 4 The Covetous Headsman # 1- 5 The Loaded Tourist # 1- 6 The Pearls of Peace # 1- 7 The Arrow of God # 1- 8 The Element of Doubt # 1- 9 The Effete Angler # 1-10 The Golden Journey # 1-11 The Man Who Was Lucky # 1-12 The Charitable Countess . SEASON 2 (1963) B/W # 2- 1 The Fellow Traveller # 2- 2 Starring the Saint # 2- 3 Judith # 2- 4 Teresa # 2- 5 The Elusive Ellshaw # 2- 6 Marcia # 2- 7 The Work of Art # 2- 8 Iris # 2- 9 The King of the Beggars # 2-10 The Rough Diamonds # 2-11 The Saint Plays With Fire # 2-12 The Well Meaning Mayor # 2-13 The Sporting Chance # 2-14 The Bunco Artists # 2-15 The Benevolent Burglary # 2-16 The Wonderful War # 2-17 The Noble Sportsman # 2-18 The Romantic Matron # 2-19 Luella # 2-20 The Lawless Lady # 2-21 The Good Medicine # 2-22 The Invisible Millionaire # 2-23 The High Fence # 2-24 Sophia # 2-25 The Gentle Ladies # 2-26 The Ever-Loving Spouse # 2-27 The Saint Sees it through . SEASON 3 (1964) B/W # 3- 1 The Miracle Tea Party # 3- 2 Lida # 3- 3 Jeannine # 3- 4 The Scorpion # 3- 5 The Revolution Racket # 3- 6 The Saint Steps In # 3- 7 The Loving Brothers # 3- 8 The Man Who Liked Toys # 3- 9 The Death Penalty # 3-10 The Imprudent Politician # 3-11 The Hi-Jackers # 3-12 The Unkind Philanthropist # 3-13 The Damsel in Distress # 3-14 The Contract # 3-15 The Set-Up # 3-16 The Rhine Maiden # 3-17 The Inescapable Word # 3-18 The Sign of the Claw # 3-19 The Golden Frog # 3-20 The Frightened Inn-Keeper # 3-21 Sibao # 3-22 The Crime of the Century # 3-23 The Happy Suicide . SEASON 4 (1965) B/W # 4- 1 The Checkered Flag # 4- 2 The Abductors # 4- 3 The Crooked Ring # 4- 4 The Smart Detective # 4- 5 The Persistent Parasites # 4- 6 The Man Who Could Not Die # 4- 7 The Saint Bids Diamonds # 4- 8 The Spanish Cow # 4- 9 The Old Treasure Story . SEASON 5 (1966) colour # 5- 1 The Queen's Ransom # 5- 2 Interlude in Venice # 5- 3 The Russian Prisoner # 5- 4 The Reluctant Revolution # 5- 5 The Helpful Pirate # 5- 6 The Convenient Monster # 5- 7 The Angel's Eye # 5- 8 The Man Who Liked Lions # 5- 9 The Better Mousetrap # 5-10 Little Girl Lost # 5-11 Paper Chase # 5-12 Locate and Destroy # 5-13 Flight Plan # 5-14 Escape Route # 5-15 The Persistent Patriots # 5-16 The Fast Women # 5-17 The Death Game # 5-18 The Art Collectors # 5-19 To Kill a Saint # 5-20 The Counterfeit Countess # 5-21 Simon and Delilah # 5-22 Island of Chance # 5-23 The Gadget Lovers # 5-24 A Double in Diamonds # 5-25 The Power Artists # 5-26 When Spring is Sprung . SEASON 6 (1968) colour # 6- 1 The Gadic Collection # 6- 2 The Best Laid Schemes # 6- 3 Invitation to Danger # 6- 4 Legacy for the Saint # 6- 5 The Desperate Diplomat # 6- 6 The Organisation Man # 6- 7 The Double Take # 6- 8 The Time to Die # 6- 9 The Master Plan # 6-10 The House on Dragon's Rock # 6-11 The Scales of Justice # 6-12 The Fiction Makers (1) # 6-13 The Fiction Makers (2) # 6-14 The People Importers # 6-15 Where the Money Is # 6-16 Vendetta for the Saint (1) # 6-17 Vendetta for the Saint (2) # 6-18 The Ex-King of Diamonds # 6-19 The Man Who Gambled with Life # 6-20 Portrait of Brenda # 6-21 The World Beater

在残酷的美人鱼战争之后，分裂但曾经伟大的伊利亚特城被黑暗势力包围。被臭名昭著的地精猎人分散了注意力。　　一个手上有仇杀的致命杀手，负责维持和平的守护者对诡计多端的地下城市行会视而不见，结果令人恐惧，因为亡灵开始崛起。　　在这座充满恶意和腐败的城市里，死神本人被迫结成伙伴关系，把事情掌握在自己手中，给在海上最后一次袭击中丧生的精英战士阿提克斯一个回到生者之地的机会。但是这份礼物不是没有代价的…

一把體積不大卻非常特別的手槍「嫩娃」歷史十分悠久，據說擁有這把手槍的人會遭遇一連串的衰運及不幸，而這是一個關於「嫩娃」遊走於社會低下階層的工人、放高利貸的暴徒、職業賭徒和骨牌玩家等角色的迷人故事。

卢米斯（米洛·文堤米利亚 Milo Ventimiglia 饰）、雷克斯（Billy Slaughter 饰）、莎拉（Nicole Oppermann 饰）三个年轻人偶然得到一款名为《生存》的游戏，该游戏以15世纪欧洲臭名昭著的“血腥贵妇”伊丽莎白·巴瑟（Elizabeth Bathory）为蓝本，其制作精良，惊悚非常。在试玩过程中，奇怪的声响和事情接连出现，三人更先后离奇死亡。 葬礼后，卢米斯的妹妹艾玛将《生存》游戏交给哥哥生前最好的朋友霍奇（约翰·福斯特 Jon Foster 饰）。霍奇聚集一种电玩好友，一同体验这款卢米斯最后玩过的游戏。随着游戏的进行，霍奇等人发现这是一款真正的死亡游戏，所有的参与者都面临着死亡的结局。而他们已经身陷其中，无法逃离了……

Based on the novel by Todd Rigney, "Found" centers around Marty, a shy, bullied fifth-grader who takes refuge in horror films... until his life turns into one. After finding a human head in his brother's closet, Marty fears for the safety of his family while making a desperate effort to reconnect with Steve, the big brother whose homicidal cravings threaten to destroy life as Marty knows it

杰贝兹（亚历克·鲍德温 Alec Baldwin 饰）是一名男装推销员，在艰难维生的同时亦没有放弃成为作家的梦想。可是，上帝似乎无意眷顾这个努力的可怜人，他不仅因为种种意外而丢掉了工作，呕心沥血撰写的手稿也遭到了出版商丹尼尔（安东尼·霍普金斯 Anthony Hopkins 饰）的否定，更糟糕的是，他的好友朱利叶斯（丹·艾克罗伊德 Dan Aykroyd 饰）刚刚签下了高达19万美元的出版合同。 垂头丧气的杰贝兹失去了一切，只剩一台破旧的打字机，他负气将打字机扔出窗外，却好巧不巧砸中了一个路过的老妇人，他的正常生活眼看着就要走到尽头，就在此时，杰贝兹的眼前出现了一位红发女子（詹妮弗·洛芙·休伊特 Jennifer Love Hewitt 饰），这位撒旦的化身答应帮助杰贝兹实现愿望，但要他拿自己的灵魂做交换。

在一个风景如画的英国乡村，自然学家查尔斯·达尔文（保罗·贝坦尼 Paul Bettany 饰）与妻女一起过着恬静的生活。他十岁的大女儿安妮对世界充满好奇，达尔文便教予她很多自然和科学知识，其中还包括他的进化论，然而在世人都相信上帝乃造物主的当时，女儿口中的进化论无疑是危险的，以至于令她被家庭教师体罚，就连达尔文深爱的妻子艾玛（詹妮弗·康纳利 Jennifer Connelly 饰）也无法认同他的观念和研究。更令达尔文受创的是，不久后，小安妮因生病早夭，唯一一个支持他完成学说的力量之源也黯淡了，整理《物种起源》手稿的工作变得犹如逆行荆棘，举步维艰…… 本片改编自达尔文第三代玄孙兰德尔·凯恩斯（Randal Keynes）的传记小说《安妮的盒子》。

An enforcer for the mob enacts her revenge on those who wronged her.

康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式，但如今富有的伦敦游客纷纷下山，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫，因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅，现在看来，最后一场战斗是和新主人在海边的停车位上展开。然而，情况很快就失控了，而不仅仅是因为车轮夹钳。Bait是一种黑白，手工制作，16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而，最重要的是，在影像中不同层次的电影历史参考文献之下，当前许多政治关联正在等待被发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.