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巴黎13区的四位年轻的成年人Emilie、Camille、Nora、Amber，他们是好友，有时也是恋人，并且经常两者结是。四位主演分别为露西·张Lucie Zhang、马吉塔·桑巴Makita Samba([贵族动物])、珍妮·贝丝([不可能的爱])、诺米·梅兰特。 影片改编自《纽约客》漫画家Adrian Tomine的图文短片小说集《杀戮与死亡(Killing and Dying)》，欧迪亚与[艾娃]导演蕾雅·梅西斯、[燃烧女子的肖像]导演瑟琳·席安玛共同撰写了本片剧本。幕后团队包括：摄影师保罗·圭哈姆([艾娃])、音乐总监Pierre-Marie Dru([我失去了身体]、[安妮特])。 Playtime负责影片国际销售，Memento负责该片法国发行。影片目前已进入到拍摄第二周，计划最早于2021年春季发行。
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当我还只是十三岁时，1941年春末的那一天，我初次见到了她那一天，墨索里尼向英法宣战，而我，得到了生命里的第一辆脚踏车。她，撩著波浪状黑亮的秀发，穿著最时髦的短裙和丝袜，踏著充满情欲诱惑的高跟鞋，来到了西西里岛上宁静的阳光小镇。她的一举一动都引人瞩目、勾人遐想，她的一颦一笑都教男人心醉、女人羡妒。玛莲娜，像个女神一般，征服了这个海滨的天堂乐园。年仅十三岁的雷纳多也不由自主地掉进了玛莲娜所掀起的漩涡之中，他不仅跟著其他年纪较大的青少年们一起骑著单车，穿梭在小镇的各个角落，搜寻著玛莲娜的诱人丰姿与万种风情，还悄悄地成为她不知情的小跟班，如影随形地跟监、窥视她的生活。她摇曳的倩影、她聆听的音乐、她贴身的衣物都成为这个被荷尔蒙淹没的少年，最真实、最美好的情欲幻想。然而，透过雷纳多的眼，我们也看到了玛莲娜掉进了越来越黑暗的处境之中，她变成了寡妇，而在镇民...
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影片讲述了一名驯马师为了养老金和自己破产的牧场老板达成协议，从老板富有的墨西哥前妻那里绑架老板11岁的儿子以索要赎金。然而老板的前妻正为这个不良少年头疼，巴不得甩掉这个包袱，事情朝着意料之外的方向发展……
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探索从未有过的最古怪，最迷人，最奇特的鼓舞人心的竞赛，以及坚定，热情和无比熟练的竞争者，他们将这一切变成了自己非凡世界的英雄。
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告别了青春时代作为私家侦探的冲动与飞扬，美丽的维罗妮卡·玛斯（克里斯汀·贝尔 Kristen Bell 饰）如今已完成大学学业，考取了律师资格证书，准备准备在繁华都市纽约大展才华。而就在此关键时刻，她得知流行歌手——也是她的高中同学——邦妮·德维尔的死讯，而多年未见的罗根·埃克斯（杰森·多灵 Jason Dohring 饰）竟然作为邦妮的男友有着重大嫌疑。以此为契机，维罗妮卡返回阔别已久的家乡，父女亲朋相见自然格外暖心，而当年张扬散漫的罗根此时已穿上军装，变成仪表堂堂的英俊男人。
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伯克曼一家正面临一场家庭危机。老爸伯纳德（杰夫·丹尼尔斯 Jeff Daniels 饰）事业正在走下坡路，曾是畅销作家的他如今变得湮没无闻，反而是妻子琼（劳拉·琳妮 Laura Linney 饰）而今在写作上声名鹊起，令伯纳德倍感落差，并选择用尖酸刻薄嘴脸面对妻子的成功，二人不得不面临婚姻破裂的结局。两个儿子必定要因父母关系受到困扰。大儿子沃尔特（杰西·艾森伯格 Jesse Eisenberg 饰）16岁了，正值青春萌动，他坚决站在父亲一边，不料自己喜欢的女生竟然上了父亲的床；小儿子弗兰克（欧文•克莱恩 Owen Kline 饰）12岁，将父母离婚视作世界末日，甚至开始喝酒，因支持母亲变得和哥哥势不两立。一家四口的不知所措深深印在两个孩子的成长里面…
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Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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一位落魄的原百老汇制片人跟一个“高级经济师”联手，吸引风险投资来排戏，以及如何搞砸这部叫《希特勒的春天》的戏，好让投资都进他们两个人的腰包。未曾想，那部“大话希特勒”版的闹剧大受欢迎，他们的计划也因此暴露，双双上了法庭。