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新鲜1994
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Michael (or Fresh as he's well known) is a 12-year-old drug pusher who lives in a crowded house with his cousins and aunt. His father has become a street bum,but still meets with fresh on occasion to play chess. Fresh is rather quiet in a crazy world. Fresh' sister is a junkie who sleeps with the dealers that fresh sells for. As the story progresses Fresh realizes that he doesn't want to sell drugs anymore, he wants revenge.
爱的领悟
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在美国出生长大的昌杜是一个认为爱就是伤痛的花花公子,在前女友的陷害之下不得不支付巨额赔款,为了凑钱昌杜第一次回到了印度并在机场结识了桑蒂雅。为了从爷爷手里拿到钱,昌杜谎称自己将回到印度工作并说自己已经结婚,演戏欺骗桑蒂雅帮助自己扮演夫妻,在家庭生活之中昌杜感受到了爱与温暖。
最后的尖叫
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Aspiring actress, Kia Anderson, is about to learn that the final callback for a horror Feature Film is something more than she could ever of imagined - Something sinister is awaiting for Kia.
不知从何处来的女孩
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退休的数学老师米歇尔德维利耶Michel Deviliers(让克洛德布里索饰),自打妻子去世后,便象一个隐士一样独自一人住在巴黎的公寓,致力于写一篇以人类信仰及幻想为主题的文章,借以阐述其对现实的看法。有一天在他家门口,发生了一桩暴力事件。米歇尔发现遭人毒打和折磨而受伤的一个无家可归的女孩多哈Dora(维尔日妮 勒热饰),决定收留她,直到她康复。俩人相处间,米歇尔因这个来历不明的流浪女能够与自己携手合作完成他的这本书,而重新体味到生活的希望和喜悦。然而,就在多哈给这个孤独的养老金领取者的生活带来了一些新东西的同时,公寓里一些神秘而奇异的事情也随之发生了
最后通牒
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A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.
来自地狱的钟声
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A young man is released from an asylum and returns home for revenge on his aunt and her three daughters, who had him declared insane in order to steal his inheritance.  一名年轻人从精神病院被释放,回到家中,报复他的姨妈和她的三个女儿,因为她们为了夺走他的遗产而宣布他疯了。
疯狂欲望 少妇的诱惑
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黛安娜跟保罗的婚姻非常幸福,但她仍不知足,喜欢进行短暂的性冒险,并且把这些偷鸡摸狗的事告诉丈夫。这非但没有破坏他们的婚姻,反而增加了其中的刺激。有一次,她跟诗人阿尔方斯开始一场暴风骤雨式的恋情,结果丈夫认为她越界,便不再理她。她索性一不做二不休,一头扎进一场疯狂的群交,连她姐妹和好朋友也给拉了进去
极度恐慌1983
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PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
杀手假期
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Successful businessman Jake takes his pregnant girlfriend Lindsey on a babymoon trip to an upscale desert resort. When they get there, Lindsey discovers that Jake's meddlesome soon to be ex-wife, Gwen is there too. In a dream vacation gone wrong, it becomes apparent that someone is determined that Lindsey will never use her return ticket.