Ruth Paxton’s women-led horror sees a mother tested when her daughter insists that her body is no longer her own, but in service to a higher power.

Gwen grows up with her romantic mother constantly telling her the story of her courtship and marriage to her father. Nick grows up with an alcoholic father who can't hold a job and whose family, as a result, is forced to move all the time. The two are shaped by this - Gwen a romantic and Nick withdrawn, unsure of himself - as they watch the hugely popular sixties sitcom, "One B...

Gwen grows up with her romantic mother constantly telling her the story of her courtship and marriage to her father. Nick grows up with an alcoholic father who can't hold a job and whose family, as a result, is forced to move all the time. The two are shaped by this - Gwen a romantic and Nick withdrawn, unsure of himself - as they watch the hugely popular sixties sitcom, "One B...

"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

A high school student whose father and sister were recently murdered begins her own investigation after two of her fellow cheerleaders are kidnapped. She sets out on a rescue mission, but the killer may already be hot on her [email protected]

剧情简介:“一平方英里”是一个高度，一个被剥夺公民权的青少年生活贫苦的情感故事。不顾一切的想要一个出路，他的生活与旧隐居的田径教练的碰撞，对世界感到愤怒，对生活没有目的，与他最终形成粘结。两个被迫面对...

在遥远的未来，杰克·戴德曼和他的军事团队是拯救我们垂死的地球免于地狱般灾难的最后希望。 任务是进入迷宫的地下世界，取回被下面野蛮居民偷走的水……10年后，任务失败，杰克·戴德曼孤立地存在，被困并深埋在迷宫中。 一个孤独的狼的反英雄，因失败和内疚而改变。 但是当再次出现逃跑的机会时，杰克将开始寻求复仇和救赎，最后一次尝试逃离迷宫。

阿曼达·塞弗里德、芬·维特洛克、艾米·欧文([捉迷藏])、詹妮弗·卡朋特、保罗·吉亚玛提将出演新片[如释重负](A Mouthful Of Air，暂译)。本片由艾米·科佩尔曼([微笑回应])执导，并改编自自己的同名小说，故事讲述塞弗里德饰演的新晋妈妈也是儿童书籍作家朱莉，她逃到她创作的明亮的克雷奥拉彩色世界，以摆脱产后抑郁症造成的黑暗。维特洛克饰演其丈夫伊桑，欧文饰演其母亲，卡朋特将扮演其妯娌，吉亚玛饰演其医生。

在一个晴朗的日子里，两对青年男女索菲（斯蒂芬妮·贝尼特 Stephanie Bennett 饰）、本（安德鲁·邓巴 Andrew Dunbar 饰）、珍妮（梅丽莎·罗斯伯格 Melissa Roxburgh 饰）、戴维（布莱登·佛雷切 Brendan Fletcher 饰）辗转来到一个有着三百年历史的古老村落，这里荒草丛生，遍布着凯尔特人的遗迹，四周弥漫着古朴而神秘的异域气息。他们最先来到村中的小酒馆休息，经当地人介绍，决定前往一处古爱尔兰文明的发祥地探险。他们抵达位于密林深处的小木屋过夜，谁知当四周一片黑暗之际，某种神秘的生物悄悄接近索菲等人的住处。 完全没有防备的探险之旅，却在不知不觉间成为命运掌握在他人之手的猎物……

电影讲述28岁的女主角无法承受男友求婚的压力，她选择以与中学生交朋友的方式来逃避。凯拉·奈特莉在片中扮演一个叫做“梅根”（Megan）的年轻女人，她的男友（马克·韦伯）策划了一场别出心裁的求婚，结果吓坏了她，于是借着休假的名义和16岁的妹妹安妮卡（科洛·莫瑞兹）一起找了 个地方躲了起来。萨姆·洛克威尔在片中将扮演一个叫做“克莱格”（Craig）的老男人。